Showing posts with label modern literature. Show all posts
Showing posts with label modern literature. Show all posts

December 20, 2011

A Fine Balance by Rohinton Mistry

Wow.  What a powerful, heartbreaking, amazing book.

A Fine Balance by Rohinton Mistry is one of the best pieces of literature that I have read in a long time.  With 600 pages and covering topics such as abject poverty and every day life in the corrupt regime of Indira Gandhi, this is not light reading.

The first chapter starts off with a chance meeting between two tailors, a woman seeking to hire tailors and find a renter, and a young man looking to rent a room.  The first third of the novel or so details each of their histories and backgrounds, sometimes even tracing all the way back to the lives of their grandparents.  These beautifully written and often tragic stories provide a rich understanding of who these characters are.  The rest of the book deals with the four characters working and living with each other for the next year. 

The title could refer to many things, but what I saw as the most prevalent theme was the fine line between hope and despair.  At what point do you give up and decide things are hopeless?  So much of the book is sad, depressing and upsetting, from violent caste killings to forced sterilizations.  As a reader, you keep rooting for the characters even if you know that happily ever after is probably not in their future.  You just keep hoping that they find some peace and a small bit of happiness. 

The details are rich and the setting of India in the 1970's is compelling and interesting--I didn't know much about it before now.  This is definitely not a happy book.  It made me keenly aware the privilege in my life, of having a safe and secure place to live and always having enough to eat.  I highly recommend this book for anyone with a love of literature (as long as you are okay with bleak stories). 

five stars
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December 1, 2011

The Family Fang, by Kevin Wilson

Oh man, The Family Fang.

Caleb and Camille Fang are performance artists who create "events" that shock and awe unsuspecting passersby. Their children, Annie and Buster, are unwilling participants in their mayhem which takes a toll on their psyches as they transition from childhood to adulthood. As adults, their lives begin to unravel and they move home temporarily, only to find their parents haven't changed -- and yet, their art has an entirely new goal.

Plot: The book is fairly character-driven and I had trouble understanding how on earth anyone considered the Fang events "art" to the point that these people became rich off of it. Which brought up an internal debate on the relevance and legitimacy of performance art. But aside from that and the insanity of Caleb and Camille, the plot is humorous and moves quickly. As it builds to the end it also becomes quite the page turner. Caleb and Camille are unpredictable and while you feel like you know where the plot may lead, you also know that it won't be what you expect.

Characters: These parents are cray-cray. Fo' real. The things they subject their children to are ridiculous and in some cases, deplorable. So, I wasn't a huge fan of them. But Annie and Buster are complex characters that are fun to watch. You'll meet them at fairly low points in their lives and you'll wonder why you should care about them, but by the end you'll be cheering for them.

All in all, I enjoyed it, despite the horrid parents and their outlandish sense of reality. 4 stars.

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July 7, 2011

The Future Perfect by Kirk Mustard

My dad introduced me to Douglas Adams as a kid, and I've always loved his stuff because it's funny. I learned about Kurt Vonnegut in college, and appreciated his skill at demonstrating the absurdities of the human condition. Kirk Mustard has taken elements of both of these writers, put them in a blender with Aldous Huxley, and served the result in a tall frosty glass with a little umbrella and a few chunks of fruit.

The Future Perfect (an abbreviated title by the way) is the story of Earth somewhere between now and the society portrayed in Wall-e. Consumerism has... well, consumed the planet, science has taken over everything, even the afterlife, and nature has been all but eradicated by society's paranoia of germs.

Weighty topics are skillfully explored through a fascinating assortment of Adams-esque characters. There's Zenith, a loud colorful ad executive who must constantly churn out new products to a ravenous public, at one point even conceiving of and publishing a book during a short commercial break. His good friend is Monty, a witty self-proclaimed Luddite who longs for simpler times yet panics at the sight of a roasted chicken. Apex Caliente is the unwitting catalyst to the truth behind Nophy, a computer generated afterlife.

One thing I really enjoyed about this book was the detail of technological advances of the future. The synthesized food was disgusting, but probable. The voting system, which uses television ratings to determine what people really want subconsciously, was very creative. My favorite thing, which I really hope to see one day, is the flexy-screen, basically a screen the size and nature of a piece of paper, and used as such.

There are only two negatives to this book. First, there are a lot of grammatical and typographical errors. But overall the writing was good enough and the story interesting enough that it was easy to overlook. Second, the style of writing is a bit uneven. There's a lot of fantastic material between the beginning and the end, but it starts out choppy and ends suddenly. If the errors were fixed and the beginning and end rewritten, this would be a five star book.

I received a copy of this book for the purpose of review.


May 30, 2011

The Albuquerque Turkey by John Vorhaus

I asked to review this book because I live in Albuquerque, and I was hoping to "see" some familiar places. As it turns out Albuquerque barely figures in the story, but its still good fun, the sort of book many reviewers would describe as a "romp." Personally, my dignity precludes me from using that word. I won't use "quaff" either, unless I'm making fun of someone for being a wine nerd.

The Albuquerque Turkey is the (some might insert "rollicking" here) tale of a con man, Radar, whose girlfriend (also a con artist) has decided to go straight after a pretty big score (landed in a previous book, The California Roll). The two decide somewhat randomly to settle in Santa Fe, where they mull over what to do with the rest of their lives. Accounting? Teaching? Car sales? But when Radar's long lost estranged father shows up (also a con artist), their plans for reformation take a different turn.

Radar's friend and sidekick, Mirplo, also dabbles in reformation. He throws his hat in with the artsy crowd, pulling a con of his own as he pretends to be a great artist. Yet along the way he actually does become a great artist. Mirplo is only a supporting character, but definitely the most colorful, and my favorite. The name of the book comes from one of his pieces, a sculpture called -you guessed it- The Albuquerque Turkey.

This was a fun book. The writer has written books on the subjects of gambling and comedy, and he certainly seems to know his way around both. But what I enjoyed the most was Vorhaus's way with words. He masterfully manipulates language to say the same old things in new ways. A couple of his sayings that are now a part of my own vernacular are "verbal prostate massage" (sweet-talking your way out of or into something) and "audio waterboarding" (my new way of expressing myself when my husband plays AC/DC).

I received a copy of this book for the purpose of review.

May 26, 2011

A Visit from the Goon Squad, by Jennifer Egan



A Visit from the Goon Squad is the newly minted Pulitizer Prize winner in fiction.

My book club selected it just before the winners were announced, clearly making us on the cusp of literary trends. Or something.

I have to say, I'm not quite sure how to review this renowned work, because, well, because I didn't love it.

In fact, it took me 251 pages to like it. Why?

Plot: I'm not sure you can say this book had a plot. At least not in the traditional beginning, middle, climax, end terms of plotting.

The book revolves around two characters -- Benny Salazar and Sasha. He's a record exec, she's his assistant. Over the course of a couple hundred pages, the reader is plunged into their world, and the worlds of their friends and acquaintances. The book starts in one decade, takes a jump back a decade, and then leaps two decades forward. It's all over the place and I felt a bit like a pinball, being thrust from one place and person to the next, not really remembering where I was or who these people were.

Characters: The book shines on the character front. I spent early parts of the book wondering why the heck I was supposed to care about this washed up record executive and his klepto assistant. But the secondary characters are quirky, outlandish and heartbreaking. And after awhile, even Sasha and Benny grow on you. The only frustrating part was because of the volume of characters and the lack of a coherent structure/plot, I had trouble remembering who was who and linking them to one another.

Finally, in the last three chapters (the future, so to speak) the characters start to come together and I saw the overarching theme. This made both the plot and the characters gel and made me (finally!) appreciate both.

Structure: What structure? Sure, there were chapters (one is comprised entirely of PowerPoint slides!), but without any sort of chronological or other obvious timing cue, the reader just gets lost. The timing cues are embedded in the dialogue and descriptions and frankly, it took more work and re-reading on my part than I care to invest in following a story.

It's hard for me to judge this one. As much as I hated the book until the very end, I also have an appreciation for it now that I've finished it and see the whole picture. I will say that had this been a collection of short stories, I would have loved it.

At the end of the day, it's different. It's modern. It gives us a glimpse of the intensity at which the world is changing as that goon, time, passes us by. For these reasons, I can see why it won the Pulitzer. But for me, I have to go with a measly 3 stars.

November 28, 2010

Drowning Ruth by Christina Schwarz

Have you ever seen something that's either so disturbing that you can't help but stare even if you know you shouldn't? Drowning Ruth by Christina Schwarz was that way for me. So disturbing that I felt like I should stop reading, but I just couldn't without finding out what really happened.

Drowning Ruth is written in modern lit fashion; the story is told from the perspectives of various narratives and in various timeframes. You get bits and pieces of life before a young woman named Mattie drowned, and you get bits and pieces of how life goes on for her sister Amanda, husband Carl, and daughter Ruth after.

The book is what I'd called a pyschological thriller as the author takes you back and forth trying to decide what really happened on that fateful night and how the lives of the characters will play out and how they will be connected to one another. I wouldn't say the ending was altogether unpredictable, but uncovering each piece of the puzzle was just as satisfying as being taken of a journey of twists and turns. And the end for me, unlike many books, was exactly what it should have been.

I would recommend this book if you're open to a little bit of disturbia and not afraid of getting into the lives of some truly twisted characters. 4 stars.

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