
I was surprised by Margaret Atwood’s Year of the Flood. I hesitated to read it as I had already read one cautionary apocalyptic tale this year, Liz Jensen’s The Rapture. But there is no comparison, though I enjoyed moments in The Rapture, I was absolutely fascinated by Atwood’s work. And although both delve into the treacherous side of religion and politics, Flood isn’t even about a flood. Couple that idea with it isn’t even about any one year more than the other in the quarter century span of its futuristic narrative. Which is where it became surprising. This novel is hard core science fiction despite its inexplicable title and floral cover. It is almost as if it is science fiction cloaked in literary fiction’s clothing. And after the initial shocker, that is exactly its feel. A detailed and creative world magnified by a compelling story, deft characterization, and remarkable rendition.
Basically the story is about two women living after a flood has wiped out most of the population. Over the course of the novel their story is back filled to ascertain how they were able to survive, and we are treated to a new vision of humanity, one who has little to lose. This new world is complete with massive corporation posing as government, some bizarre genetic cross breeds, and apocalyptic drama. I can see why some call Atwood Canada’s best living writer. Anyone who expects literature to open up new worlds will find a favorite in this novel.
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