Showing posts with label Classic. Show all posts
Showing posts with label Classic. Show all posts

March 16, 2012

Atlas Shrugged by Ayn Rand


Let me just say that while I knew what I was getting into regarding the length of this book, I had very little clue as to what the book was actually about. I knew about the “immortal query” of “Who is John Galt?” and that someone had said he would “stop the motor of the world”—but to be completely honest, I kind of thought that this was going to be some sort of weird science fiction novel where someone actually stopped the world from spinning and everyone floated off into space. Or something like that.

Happily, I was wrong.

Atlas Shrugged follows Dagny Taggart, the Operating Vice President of Taggart Transcontinental. She is intelligent, businesslike and absolutely ruthless when it comes to her railroad, which was founded by her grandfather, Nat Taggart. Her brother, Jim Taggart, is the president of the railroad—but, unlike Dagny, he is unwilling to take any responsibility for the necessary but difficult decisions regarding keeping the railroad afloat in difficult economic times. Dagny, therefore, runs the railroad behind the scenes while Jim schmoozes with his “friends in Washington.”

Often, Dagny’s personal policies—like preferring to buy steel from Hank Rearden rather than Orren Boyle, who has continually delayed delivery of steel rails—conflict with Jim’s ideals; Jim, who has always done business with Orren Boyle, refuses to order from Rearden (even though Dagny orders from him anyway). Here, we find one of the first major themes of Atlas Shrugged: fear of the new and unknown. Because Rearden is a new steel manufacturer, and in fact something of an overnight success, many of the established industrialists refuse to buy from him, even when it becomes clear he is the best manufacturer.

Soon, Rearden creates a new alloy, called Rearden Metal, that is lighter, stronger, and cheaper to make than steel. However, when he chooses to keep its blueprints a secret, he not only sparks jealousy and outrage among his competitors, but also prompts those competitors to spread unfounded rumors about the unreliability of Rearden Metal—rumors which are backed by the increasingly collectivist government. Dagny, who does not know Hank Rearden personally but is aware of and trusts his morality and integrity as an industrialist, is the only one who is willing to purchase Rearden Metal, and does so to construct new rails. Meanwhile, Dagny also struggles with personal despair: her only childhood friend and first lover, Francisco d’Antonia, heir to the d’Antonia copper mines, has become quite the worthless playboy and seems bent on destroying his own company.

As the novel progresses, the best industrialists go out of business and disappear, one by one, until only Dagny and Rearden remain. With the world’s economy crumbling, Dagny becomes increasingly desperate until she stumbles upon the life-changing secret of the vanished industrialists—and her world will never be the same.

Okay, sorry for the long summary, but the book is over 1,000 pages long, after all. No way to just summarize it in a paragraph without copying the blurb on the back of the book—which, clearly, did not give me a very good idea of what the book was actually about. You guys are probably smarter, but still.

Anyway, this book was wonderful. Hard to get through at times, and I will admit that there is an approximately 50-page-long speech towards the very end that I skimmed (because really, he was basically saying the same thing over and over) but for the most part it is entirely worth it. It is beautifully written, perfectly capturing Ayn Rand’s deliberate style—you’re never really left guessing about whose side she’s on. If you’re not in at least partial agreement with her, you’ll probably feel as though she’s hitting you over the head sometimes, but that’s okay because it’s enjoyable (at least, I thought it was).

But then again, I agree with a lot of what she was saying. I don’t necessarily have such a grim view of the future of our country, but I do think welfare efforts can go overboard sometimes. Don’t get me wrong; I work in the non-profit industry. I whole-heartedly believe in doing what we can for those who are less fortunate than we are. But I also believe that many of the efforts this country makes can be misguided, and there are many who take advantage of the system. And I was also taught growing up that you earn what you deserve. If you work hard at school/work/sports/whatever, you will generally earn good grades/a good salary/a good score/whatever. If you don’t put in the effort, you don’t earn the rewards. That was the biggest thing that drew me into Atlas Shrugged: all these wonderful, intelligent, talented people were being totally taken advantage of and in fact being punished for their success, and that was heartbreaking. I knew it was fiction but at the same time it seemed so plausible that I couldn’t help but be outraged for them.

Still, there were a few things I didn’t agree with. Like I alluded to earlier, I don’t believe as strongly as Rand apparently did that we shouldn’t provide any welfare services. I just think that we go a little overboard—not nearly as much as they did in Atlas Shrugged, though. I also didn’t agree with the demonstrable lack of belief in a higher being. I’m certainly not the most religious person, but I do believe in God, and Catholicism has been a pretty important part of my life. But religion is not for everyone, and I understand that it didn’t have a place in Rand’s philosophy. It’s just a part of her philosophy I don’t personally agree with.

Seriously, though, it was a terrific book, and you should read it. It’ll take a while, but it’s so worth it. I promise.

5 stars

This review was originally posted on my personal blog.



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March 9, 2012

The Flight of Gemma Hardy by Margot Livesey

Let me start off by saying I'm an English major, but I can't stand reading the classics. There's just something about the slow and articulate literature that puts me to sleep. And for that reason I haven't picked up a classic to read in probably five years.

Why am I telling you this? Because The Flight of Gemma Hardy reads like a classic. It is well-written, full of character development, and hits all of the right elements, but I found it to be very slow and too easy for me to put down. It is a great modern retelling of Jane Eyre, which just adds evidence to my personal opinion because I've tried to read Jane Eyre three or four times and never been able to get through it. And after reading The Flight of Gemma Hardy, I'm not sure I ever will.

So ignoring the fact that I personally don't love the classics, this book is set in the mid 1900s, about orphan Gemma Hardy's journey to find her family and a place she belongs. Since I've never been able to get through Jane Eyre, I had to rely on Wikipedia to confirm that Gemma Hardy's journey is very similar to Jane Eyre's, just 100 years later. As a stand alone book (not compared to Jane Eyre), I liked the book but was annoyed with Gemma's insistence on running from each "home" she created to try and find one she didn't even know if it existed. Her character seemed to be looking for sympathy and pity for her tough life but she was never happy with the blessings she was given, especially in the latter half of the book.

The Flight of Gemma Hardy is divided into five sections - five sections that mirror Jane Eyre's life just in a more modern setting. Replace horses with cars, governesses with au pairs, and India with Iceland. Overall for those of you who enjoyed Jane Eyre and like classic literature, this is one you'd probably enjoy. For me personally, I could have done without. 3 stars.
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February 25, 2012

Phantom of the Opera Giveaway (Closed)

ENTER TO WIN A COPY OF THE LONGEST-RUNNING BROADWAY MUSICAL OF ALL TIME CELEBRATES 25 YEARS OF ROMANCE WITH A SPECTACULAR LIVE PRODUCTION ON ONE OF THE WORLD’S MOST LEGENDARY STAGES


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Broadway’s longest-running production of all time celebrates a triumphant quarter century on stage with THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL, coming to Blu-ray – with perfect hi-def picture and perfect hi-def sound – DVD, On Demand and Digital Download on February 7, 2012 from Universal Studios Home Entertainment. On October 2, 2011, composer Andrew Lloyd Webber and producer Cameron Mackintosh marked the 25th anniversary of their beloved musical extravaganza, “The Phantom of the Opera,” with a lavishly staged production at London’s legendary Royal Albert Hall that was beamed live via satellite to cinemas across the globe. THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL, marks the first time a live performance of the blockbuster musical has been made available for home viewing, making it a must-have anniversary release for fans everywhere.

The Phantom of the Opera is undoubtedly a classic musical that many people would insist is a must‐see. To celebrate the release of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL on Blu-ray, DVD and On Demand on February 7, we will highlight ten other musicals that everyone should experience at least once in their lifetime, including Fiddler on the Roof, Les Misérables, and Wicked.

Fiddler on the Roof
Fiddler on the Roof is a Tony Award® winning musical which originally appeared on Broadway in 1964. Based on the stories of Sholom Aleichem, Fiddler on the Roof is set in pre-revolutionary Russia, and tells the story of a poor Jewish peasant who must contend with marrying off his three daughters while anti-Semitic sentiment threatens his home. This classic musical has been a critical darling for nearly 50 years, and includes popular songs like "Tradition," "Matchmaker, Matchmaker," "If I Were A Rich Man" and "Sunrise, Sunset." Fiddler on the Roof is currently touring nationally, but if you miss a show in your city, you can always rent the fantastic 1971 film version staring Topol as Tevye.

Les Miserables
Les Misérables made its debut London’s West End over 25 years ago, and has had an incredibly successful run throughout the world since then. Les Mis, as it is affectionately known among fans, is the tale of Jean Valjean, a Frenchman imprisoned for stealing bread, who must flee a police officer named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France. Les Mis has been translated into 21 languages, has played in 41 countries, and been seen by more than 55 million people! Les Mis is currently touring the US, and a big screen adaptation of the musical is set to hit theaters this year.

Wicked
After a successful trial run in San Francisco, Wicked opened on Broadway in 2003. Since then, this adaptation of Gregory Maguire’s novel has won 35 major awards, become a favorite of fans and critics, and received widespread attention from the use of its songs and sets on the hit TV show “Glee.” Wicked is the story of the witches of Oz, told long before Dorothy and Toto came along. Wicked tells the story of how the Wicked Witch of the West and Glinda the Good came to be, and includes some breathtaking songs, including “Defying Gravity.” You can currently see Wicked on Broadway, or on its national tour.

West Side Story
West Side Story debuted in 1957, and is a musical adaptation of Romeo and Juliet set in New York City. In it, rival street gangs (the Jets and the Sharks) battle for territory and respect. But when the Jets’ former leader, Tony, falls in love with Maria, the sister of the Sharks’ leader, the unlikely couple is forced to choose between love and their obligations. Aside from being adapted into a fantastic musical film in 1961, West Side Story has won countless theater awards, been adapted to be performed as a ballet, and boasts some of the most memorable dances and songs in the history of Broadway, including “America,” “I Feel Pretty,” “Maria” and “Something’s Coming.” The production is currently touring nationally.

A Chorus Line
Simply put, A Chorus Line is a 1975 musical about Broadway dancers auditioning for spots on a chorus line in a large-scale production. This is the story of young, hopefully dancers looking for their big break. Since it’s debut in 1975, A Chorus Line has toured the world and become a widely recognized and revered musical theater institution. A Chorus Line has won a myriad of awards, including nine Tony’s, and is the longest running American Broadway Musical of all time. The production completed a national tour in 2011, so you may want to check out the 1985 film adaptation.

A Little Shop of Horrors
1982’s Little Shop of Horrors was actually an off-Broadway musical based on the 1960 film of the same name. The musical, which tells the story of a meek flower shop assistant who happens upon a man-eating plant (which he names “Audrey II” after his co-worker and crush, Audrey), was turned into a hilarious movie musical Starring Rick Moranis, Ellen Greene and Steve Martin in 1986. Little Shop is one of the longest running off-Broadway musicals, and finally saw a Broadway debut in 2003. This quirky musical uses a series of puppets to show Audrey II’s growth and features many different styles of music, a Greek chorus, and a demented dentist.

Hair
HAIR, the first great rock musical, opened on Broadway in 1968 and tells the story of a group of friends choosing to sing out in celebration of love, life and freedom. HAIR features some of Broadway’s most infectious songs, including "Let the Sun Shine In," “Good Morning Starshine," "Aquarius" and "Hair." This musical is notable for many reasons, among them the controversy that has surrounded the production, mainly due to its inclusion of a nude scene. HAIR is currently touring the US, but if you can’t make it out to a show, the 1979 film adaptation is a suitable substitution for the live show.

Avenue Q
The hilarious musical Avenue Q opened on Broadway in 2003 following a successful off-Broadway stint. This Tony Award-winning musical tells the story of a recent college grad who moves into a shabby New York apartment all the way out on Avenue Q. There, he meets many colorful characters that help him discover the meaning in his life. Avenue Q is known for being “part flesh, part felt” and for its outrageous content, including songs like “The Internet Is For Porn” and “Everyone’s A Little Bit Racist.” Avenue Q has successfully toured the US and is currently playing off-Broadway in New York.

Hairspray
Hairspray is based on the 1988 film of the same name, and it debuted on Broadway in 2002. Hairspray tells the story of an overweight teenager living in Baltimore in the ‘60s whose dream is to be a dancer on a local “American Bandstand”-type show. Hairspray has successfully toured the United States, won eight Tony Awards, and inspired the 2007 movie musical of the same name. Hairspray’s live shows often feature famous faces in the cast, Matthew Morrison, Nick Jonas, and Ashley Angel Parker.

Joseph and the Amazing Technicolor Dreamcoat
Another of Andrew Lloyd Webber’s musical theater gems, Joseph and the Amazing Technicolor Dreamcoat opened on Broadway in 1982 after a successful start in the UK. Joseph is often produced by schools and colleges, and is (in most productions) completely devoid of dialogue, technically making it an opera. The show’s story is taken from the Bible, and follows Joseph, the favorite son of Jacob, through his incredible life including time as a slave in Egypt and working as the Pharaoh’s right hand man. Some notable pop stars including Donny Osmond, Jason Donovan and Lee Mead have played the title character. The 1999 film version staring Donny Osmond as Joseph is a fairly accurate representation of the stage show if you are unable to find a production in your area.

In order to win your very own copy of The Phantom of the Opera at the Royal Albert Hall on Blu-ray, simply answer the following question:

Who produced THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL?

A. Cameron Mackintosh
B. David Merrick
C. Barry and Fran Weisler

Giveaways end at midnight EST on Wednesday, February 29th.
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April 2, 2009

It Can't Happen Here by Sinclair Lewis

This book is what is referred to as a "negative utopia," a futuristic (futuristic being a very relative term here) depiction of a world gone wrong, usually in a political sense.

This book was actually written in the early 30's during the Great Depression, and takes place in the late 30's. During this time the ideas of Socialism were looking pretty good to a lot of people who were unable to find work or to afford the simplest utilities. The book assumes that it is a given that the government will have to take control of any corporation that provides something that effects all people, such as utilities. The heros are Liberals, the bad guys are conservatives that want a more corporate state.

The funny thing about political extremism is that if you go too far to one side, you'll actually find yourself coming out on the opposite end. It's not really a scale, it's more like a circle. I've seen this with my husband, who's so right-wing that his right-wing desires end up being the very things the left wing advocates, though he will never admit it. They want the same things for different reasons. Sinclair doesn't himself make this connection, but unwittingly demonstrates it in this book.

This book is meant to show how a horrible dictatorship could come about even in America, in a place where such a thing seems impossible. In their economic crisis, the Americans in this book elect Buzz Windrip because he promises that every family will receive $5,000 a year (probably about equivalent to $40k a year now) no matter what. He promises to eliminate unemployment and crime and create a smaller government. And so he's elected. But he eliminates unemployment by sending everyone to work camps, and crime by rounding up everyone even suspected of ever having committed a crime and having them shot. He abolishes all political parties and creates his own. He creates smaller government by abolishing statehood and setting up six large disctricts run by tyrranical commissioners. In the meantime detractors are killed or sent to concentration camps. A new Underground Railroad is established to send refugees to Canada.

It seems like Sinclair took elements of Soviet Russia (although some of his heros are communists) and Nazi Germany (althought this was pre-WWII, the Nazis were in power when the novel was written) and smooshed them together to show how such a regime could happen in the USA. A lot of the situation was really unique to that time period though and truly could not happen now, such as the media being limited to radio and newsprint and information therefore easily repressed or delayed.

It was hard to get into. It didn't actually get interesting until the last third or so, and had an open ending. It was funny in some places and horribly boring in others, but that's probably because a lot of the language and situations were familiar to that time and not to me.

March 24, 2009

Doctor Zhivago by Boris Pasternak

I've had this book on my to-read list for years, but only just got round to it. I put it on my list because a girl I used to talk to online about baby names loved the names Lara and Marina, which she got from this book. It's funny because names are the very reason I generally avoid Russian literature. The names are so complicated and at the same time too similar to tell apart, and just when you think you've got sorted out who's who, their names change or they're given a nickname that makes no sense. I tried reading War and Peace a few years ago and had to give up, because while the story was interesting, there were five different Annas and I simply could not keep them straight.

So I finally got around to Doctor Zhivago. This book follows the life of a man from his childhood before the Russian revolution, through the revolution and the following civil war and the establishment of Soviet rule. It's of immense Historical interest. In this sense however there are drawbacks. There are interesting details of those troubled times, but the large events are completely washed over. The assassination of the tsar and his family isn't even mentioned, only vaguely referred to years after it happened.

The writing follows this same odd pattern. Pasternak described in great detail insiginificant things, like what a sheaf of burning papers looks like and how a woman switches between two clothes irons as they heat in a fire. These details show up in dialog too, as the characters' speech is sprinkled with phrases like: "watch out, there's a step." "don't touch that, you'll only make a mess." "shoot, I burned my finger." And yet the important things are nearly lost in a sudden rush of plain statement. He'll describe a forest scene for pages that means almost nothing, and then he'll say something like, "and then he realized that he needed to tell his wife the truth and never see Lara again, but at that moment he was kidnapped by a band of forest partisans who forced him to be their doctor for two years." Whahhh???? Did something just happen???

That was annoying.

And yet in other ways there was a lot of important literary juju going on that reminded me a lot of The Great Gatsby. A billboard the doctor always sees when something significant is going to happen. The proliferation of rats in his lover's house that he is always trying to seal out, but has no way of exterminating. That kind of thing.

This was a great book that I am still thinking about, but it is great for its Historical impact and literary devices, not for its story. Therefore I give it four stars.

February 12, 2009

1984 by George Orwell

There are some books that I just think that everyone should read. When I talk about one of these titles, I'm shocked when someone hasn't read it, but I'm even more shocked if they haven't heard of it. Recently, I was saying something about Big Brother, and then said something else about how it wasn't a random allusion as I'm reading the book right now. When my friend said, "What book?" and then "I've never heard of it" when I told her which book, I was worried.

In case you, my dear reader, are like my friend, I'm writing this review for you. Perhaps you'll still never read the book, but you at least need to know what it's about as you'll find allusions to it everywhere.

Ever since I read it in high school, 1984 has been one of my favorite books. The book takes place in 1984 (30 years after it was written) in one of three world powers: Oceania, which is comprised of the Americas, Australia, part of Africa, and the British Isles. Oceania is a stricter police state than any one ever known to man: there is even a thought police that seeks out those who even have thoughts against the country's ruling inner party. Every room has a telescreen: a television that they can use to watch and hear your every move and your every noise.

Winston Smith finds himself locked into this world that he knows is wrong. He himself works as someone who rewrites history, changing "facts" in past newspaper articles to reflect the current state of things. He is obsessed with finding ways to undermine the controlling party, headed by "Big Brother."

I enjoy two things about this book: first, it's presentation of Orwell's anti-totalitarian thoughts is fascinating. Secondly, at some point in the book, Winston realizes that truth is truth, regardless of whether anyone else believes it to be true.

This book also holds the honor as a book that has made me cry at it's ending each time I've read it, though it's not a dramatic book like others that make me cry. To explain further would be to give too much away.

So, if you haven't read 1984, I really think you need to!



November 24, 2008

Frankenstein by Mary Shelley

I had to read this classic in high school, but I have been wanting to read it again. Now that I've started listening to books on tape while I commute, I thought it'd be a great time to give it go.

Unfortunately, this wasn't the best book to listen to on tape. The story doesn't move at a very quick pace. I think I would have greatly enjoyed reading this book again, but only semi-enjoyed listening to it. With that in mind, I have decided to trend towards listening to fluffier things and stick to reading heavier things. It's a learning process, most definitely.

That said, I really like Frankenstein. I love the story behind the story: a teenaged Mary Shelley challenged to write a scary tale by her lover and the Lord Byron. Yet she does an excellent job of capturing the horror that modern science could be capable of.

If you haven't read Frankenstein, I think you might like it. Some familiarity with the story always helps you get used to the older language. As important as the monster is to the story (his name really isn't Frankenstein, but his creator's is), that's only a small part of the greater picture of what happens in Frankenstein's life. The story is all the scarier when I can relate to Frankenstein himself.

If I were to write another paper, I'd love to write a paper comparing the idea of the "great man" in Frankenstein, Crime and Punishment, and The Picture of Dorian Gray. They each have different views of what might make men great, but all have the pursuit of greatness leading to their protagonist's fall. Perhaps we weren't meant to be exalted.

Okay, I'm sure I've scared you away with all my nerd talk, but really this is a good and reasonably short read (last night I was debating between David Copperfield's 800 pages and Atlas Shrugged's 1000 pages, so my view is a bit skewed) at just over 200 pages.

November 11, 2008

Picture of Dorian Gray by Oscar Wilde


I had such high hopes for this book that I'm not sure that it met them. It was good, and had plenty of the wit that I so love from Oscar Wilde's plays.

Dorian Gray is a young, beautiful, vain man who has his portrait painted. Upon seeing the beauty of the painting, he wishes that he would never age but that the painting would instead.

And that is exactly what happens. After reading a book recommended by a friend, he determines to do just as he please despite the moral customs of the day, and he continues to look as youthful and innocent as the day the picture was painted.

As far as classics go, this is an easy one to read. It's realitively short (I think my copy was 240 pages) and the plot isn't complicated. I'm not sure I recommend it whole-heartedly, but it most certainly brings up some interesting topics (the one that most interested me was the idea of conscience) as classics are prone to do.

August 31, 2008

East of Eden by John Steinbeck

I've noticed something strange about myself. If there's a book I was required to read in school, even though I love reading and never minded being assigned literature, I look back on it with distaste. I like everything by Ernest Hemingway except The Old Man and the Sea. I dislike Shakespeare's plays, but love his sonnets. I couldn't stand One Hundred Years of Solitude, but enjoyed Love in the Time of Cholera. I didn't get Of Mice and of Men, but I liked Cannery Row and The Grapes of Wrath.

I like John Steinbeck because he makes sense of California for me. Even though I grew up there, I grew up in the desert, and SoCal gets no press beyond Hollywood. I always wondered what the state flower, the California Poppy, looked like because I'd never seen one. And if I'd never seen one, why is it the state flower? Northism, thats why.

But while Steinbeck wrote nothing about SoCal, he did write about the lushness that used to be. Even in the desert, when I was a kid, there were caterpillars, stick bugs, praying mantises, and wildflowers galore. We'd find geodes just lying around in empty lots, waiting to be cracked open. I haven't seen a geode or a stick bug since I was seven or so.

I also enjoy his studies of human nature. He seems able to look at the human condition with the fond objectivity of an indulgent divine being.

This book is essentially about free will. The characters in the story are assigned destinies from the beginning, and the question is whether they'll be trapped in those destinies or if they'll escape them. If they can escape them, and if it's proper to do so.

The device he uses is the Old Testament story of Cain and Abel. And while that's an interesting concept, it's too obvious. Too obvious to do anything for me, anyway. There are several scenes in which certain characters sit around and discuss free will and such, but while it's meant to sound deep, it comes across as stupefying. Like men sitting around discussing whether the ideal sandwich should contain pickles. Or like the great computer in Hitchhiker's Guide to the Galaxy that comes up with the answer of 42 to the Ultimate Question.

42? How can the answer be so simple? Well, why should it be complicated? We make things complicated because we like things to be complicated. Complications justify our bad dreams and our worse poetry. A good puzzle gives us the excuse to wallow, or debate, or instigate warfare. So even where a simple answer exists, which I suspect is more often than not, we need to invent a good meaty puzzle to make it worthwhile. And that's what this book does.

The story is interesting enough to keep me reading, but not so interesting that I was disappointed when it was over. I enjoyed it to an extent, but while I'd recommend it for the Historical and geographical interest, I'd give it a pass on the rest.

August 22, 2008

Peony by Pearl S. Buck

Yeah, I've been on a Pearl S. Buck kick lately. Buck had a very interesting life. She grew up in China with her missionary parents. Most missionaries lived in special compounds, isolated from the native population, but Buck's family lived in the city and integrated. Buck was herself working as a professor in a Chinese university when the revolution forced her to leave. So she had a rare insight to pre-revolutionary Chinese life and culture.

Peony is interesting in that it deals with a Jewish community in China. I had no idea there were ever Jews there, apparently it was a popular refuge, as the only place they were actually welcomed with kindness.

Peony is a bondmaid growing up in the home of a prominent Jewish family. I had a hard time grasping what a bondmaid was exactly. She was purchased like a slave, but had a place of honor in the home above paid servants, and had her own room, nice clothes, perfume and jewelry. She was purchased as a companion for the family's only child, a boy named David. As they grew up she came to love him, but could never expect to marry him as she was not Jewish and was a bondmaid. In a Chinese household she might have become his concubine, but the Jews were against such things. So instead she works to arrange David's life in such a way that she could be near him in any capacity, even knowing her love could never be returned.

The Jews in this book face an interesting dilemma. There are few of them left, because so many have intermarried over the years. David's mother is desperate to keep the line pure, and sees the kindness of the Chinese as a new weapon against their way of life. The synagogue is crumbling, the rabbi dying, and no one to replace him.

Overall this was a very interesting book, a sort of portrait of a culture within a culture.

August 1, 2008

A Portrait of a Lady by Henry James

I've been nibbling at this book for months. Sometimes classics are like that. And it was worth it.

The Portrait of a Lady was my first Henry James novel. He was recommended by a friend who loves classics as much (no, I'm pretty sure more!) than I do. And I can understand why she likes him.

The Portrait of a Lady is the story of a young American woman, Isabel, in the late 19th century, who has recently been bereaved of her father. Her family is not well off (according to upper-class standards, they were by no means of the poor class!). She gets taken in by her aunt, who has a residence in Florence, living apart from her husband who lives in England. They have a sickly son, Ralph who always shows great affection for his cousin Isabel. When the uncle is on his death bed, his son convinces him to give half the money that was to be his to Isabel so that she will not have to get married. Isabel now has the freedom to do as she wishes.

By the end of this book I was bawling. Not so much that it is sad, it's not terribly so. But I just cared so much for the characters. The odd thing, was that I didn't really like any of them until about 3/4 the way through the book. I guess they sorta grew on me.

So, yeah, I liked this book and recommend it to a classic-lover like me. That said, I wouldn't recommend this book for someone who doesn't usually read older books. The style is slower, and he will often have paragraphs that will span more than one page. That can make it difficult to read, which is hard when it is over 600 pages long. But, as I said it is worth it, because those long paragraphs included beautiful language such as, "A dissatisfied mind, whatever else it may miss, is rarely in want of reasons; they bloom as thick as buttercups in June." Ah, the joy of wonderful writing.
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